You may have heard that photography is also referred to as “painting with light”. However, would you consider yourself a light painter so far? If not, let’s change that real quick to massively improve your street photography composition! The difference between photographers and painters is that painters add elementsand photographers reduce them. When you hit the streets, your “canvas” is already filled with all sorts of elements on the street: subjects, sceneries, cars, trash bins, billboards, street lights, people in the background and so on. Your challenge is to kick as many unimportant elements out of your frame as possible.
https://www.youtube.com/watch?v=AbI2W0N4vHc
Do you see how the famous painter Edward Hopper only put the most important elements in his painting? Nothing is distracting you from that gorgeous lady.
4 WAYS TO REDUCE DISTRACTING ELEMENTS
4 WAYS TO REDUCE DISTRACTING ELEMENTS
Always capture only1 subject, 1 couple or 1 group of peopleCompose your street photos in a way that distracting elements don’t show up in your frameFind a scenery that is less crowdedCrop out “noise” as much as possible
You can see the importance and power of reduction in the following 4 examples. You can see how I made progress over time in getting rid of unimportant and distracting elements.
1) STREET PHOTO WITH LOTS OF DISTRACTING ELEMENTS
1) STREET PHOTO WITH LOTS OF DISTRACTING ELEMENTS
This is one of my earliest street photos from back in the day. The subjects are supposed to be the elderly couple on the right half. Do you see how the distracting elements in the background ruin the photo. There are two people on the far right, a woman eating next to the old man, another woman behind her, a woman on the far left and many people in the background.
2) STREET PHOTO WITH A FEW DISTRACTING ELEMENTS
2) STREET PHOTO WITH A FEW DISTRACTING ELEMENTS
A while later, I tried to capture a couple again. As you can see, the scenery is much more reduced. However, there is one guy right next to the woman, a couple talking on the far left and the streetcar on the right. As you can see, I also improved my post-processing by using a vignette and split-toning in Lightroom.
3) STREET PHOTO WITH 1 DISTRACTING ELEMENT
3) STREET PHOTO WITH 1 DISTRACTING ELEMENT
I captured this golden moment a few years later. The couple not only pops out due to great natural contrasts, there is also a lot less distraction. There is only one couple in the background that’s barely noticeable. However, it’s still something that shouldn’t be in the frame.
4) STREET PHOTO WITHOUT DISTRACTING ELEMENTS
4) STREET PHOTO WITHOUT DISTRACTING ELEMENTS
Do you see how there is nothing distracting from the couple? You notice the couple with the dog immediately. The fence, light and trees in the background serve as a beautiful scenery. In terms of post processing, I increased the clarity for the snow and used split toning to achieve the intense colors.
READY TO PAINT WITH LIGHT?
READY TO PAINT WITH LIGHT?
At first, it’s quite a challenge to squeeze everything unessential out of the frame. However, you’ll quickly see massive results with a bit of practice! Always ask yourself with every element of your photo why it’s in there. That way you’ll reflect your photos more and compose more thoroughly. …and never forget: Your most important gear is your eye, heart and soul!
About the Author
About the Author
Vijce is an award-winning fine-art street photographer and coach based in Amsterdam. His label Eye, Heart & Soul empowers fine art street photographers worldwide. Make sure to check out his street photography workshops and connect with EHS on Twitter, Instagram, and Facebook to level up your street photography game! This article was also published here and shared with permission.
